horizons, Etel Adnan, Lévy Gorvy gallery Paris, 2021. Photo: Arthus Boutin

It is a passage that only true connoisseurs of the Marais frequent, and yet it is here that Dominique Lévy decided to open his Parisian gallery.

Associated with Brett Gorvy with whom she already manages three locations in New York, London and Hong Kong, the gallery owner of Basquiat, Calder, Koons, Soulages... wanted to place her activity in this large space, which she nevertheless wishes to be "intimate".

A place, designed by Jean Nouvel and the architect Luis Laplace, which once hosted the art collections of Claude Berri or the Saint-Gobain company, and which the chocolatier Valrhona wanted to invest in.

horizons, Etel Adnan, Lévy Gorvy gallery Paris, 2021. Photo: Arthus Bouti

Why this choice ?

Because since Brexit, Paris and more particularly the Marais have finally reaffirmed their importance in the contemporary art market.

Dominique Lévy knows that attendance at galleries by collectors has suffered a drop of 70 to 80% since the start of the pandemic but that, on the other hand, a sign of the times, Instagrammers and other Tik-Tokers are increasingly invading exhibitions and promote art dealers via social networks. Hence the idea of ​​settling in an area very popular with these influencers.

What is funny is that this youth has become infatuated with nonagenarians such as Günther Uecker, who was the subject of the first exhibition at the Lévy-Gorvy gallery and Etel Adnan who has been exhibiting in this same place since January 30 and this until March 20.

horizons, Etel Adnan, Lévy Gorvy gallery Paris, 2021. Photo: Arthus Bouti

This new exhibition brings together around the works of this Lebanese-American poet, painter and philosopher with a style close to that of Nicolas de Staël, the work of Simone Fattal, Nancy Haynes, Eugénie Paultre, Ettore Spalletti, Paulo Monteiro, Joan Mitchell, Christine Safa , Ugo Rondinone and Agnès Mart.

Young artists selected by Etel Adnan herself and whose works resonate with hers through their soft and vibrant chromaticisms.

In two words, a soothing simplicity, praised by the curator who, as a true queen of minimalism, has the motto: “When there are not too many things, you observe even more what little there is”.

Etel Adnan, horizons until March 20, 2021
Lévy Gorvy Gallery
4, passage Sainte-Avoye, 75003 Paris
From Tuesday to Saturday 10AM - 18PM
Tel: +01 58 80 82 40 XNUMX

Text: Katia Barillot

05.03.21

Susumu Shingu, praise of slowness

Susumu Shingu, praise of slowness

At the Jeanne Bucher Jaeger gallery, a century-old space at the bottom of a courtyard, around thirty drawings and kinetic sculptures, moving works by the Japanese artist Susumu Shingu, are displayed. It was a trend in vogue in the 1950s, led by artists such as the Athenian Takis or the Brazilian Soto.

Ethan Murrow and his hymn to plants

Ethan Murrow and his hymn to plants

The Girls of Calvaire gallery, sheltered at the back of a courtyard, is hosting the solo show “Magic Soil” by the American Ethan Murrow until November 25. A unique set of around fifteen paintings and drawings that pay homage to nature.

Marilyn forever

Marilyn forever

Sixty years after her death, Marilyn still embodies the eternal feminine. In the heart of the Marais, Joseph gallery, the Monroe Experience offers a digital and poetic exhibition until November 21, to better understand the myth and the woman, a start-up before her time, entrepreneur and modern for the time (sexual freedom , psychoanalysis etc.).

Victor Hugo, the writer with a thousand talents

Victor Hugo, the writer with a thousand talents

Born in 1802, Victor Hugo became a social writer, a playwright, a poet, a novelist and a romantic designer. Nicknamed the man-ocean then the man-century, he is a political figure and a committed intellectual. He found success with Notre-Dame-de-Paris in 1831 and with Les Misérables in 1862.

The best tattoo parlors in Marais

The best tattoo parlors in Marais

Tattooing, an age-old practice, has long been the prerogative of convicts, dock workers, the underworld and sailors. Although it has become democratized, now affecting all profiles and concerning one in five French people, including 16% women compared to 10% men, it still remains taboo due to its definitive and transgressive nature.